Last Saturday, I fought the road construction, the latest "fundraising walk of the week" road closures, and the general mayhem and confusion that is driving in downtown Pittsburgh. I fought it because by God, the kid and I had decided we were going to visit the Ft. Pitt museum and learn about old-fashioned Pittsburgh leisure activities.
We headed toward town, ended up being forced off the parkway thanks to lane restrictions, then (thanks to stadium lot closures) found ourselves in a no-way-back trek northward in the HOV lane (no, we did not want or intend to head north), and then finally came back down to town... where we paid too much to park near Point State Park. In addition to Ft. Pitt Museum's throwback leisure day (where I kicked my child's butt at lawn bowling), there was an outdoor festival happening simultaneously—lots of kiosks and stands dedicated to encouraging people and families to get outdoors and climb, hike, ride, explore, etc. It was quite inspiring, and less than stellar weather did not slow anyone down. Youngsters climbed a wall, my son tried out a 3-wheeler intended to rehabilitate folks with lower-body injuries, and we indulged in the most expensive soft pretzel ever. (Luckily, it wasn't bad...)
But we were at the Point. And short of a torrential downpour, floods, tornadoes, or black ice, one simply cannot visit the Point without making the walk to the Big Fountain. It's impossible to resist. The foaming tower of water, the hordes of humans milling around its base, the fantastic scene that unfolds before you in every direction—it's a favorite destination for a reason. Everybody loves it. You feel bigger there, and yet smaller, too. You are surrounded by manmade grandeur, yet also steeped in history. You're not far from that primitive little blockhouse, oldest structure in the 'burgh, but you're also staring across the water at a submarine, a football stadium, the science center cone, and one of the two inclines that crawl up and down the face of Mt. Washington. You're standing where original city settlers stood, where Frenchmen made a stand, where native Americans came aground. You're positioned right in the midst of Lewis and Clark's starting point.
A lot has happened on that piece of property.
And a lot is still happening there, albeit perhaps on a different scale. As we walked toward the fount, a park worker offered to take our photo. (He must have pitied us, as we attempted a somewhat-centered dual selfie while perched on a rock.) We accepted his kindness, posing, then chatted with him. He shared a funny story about a recent visitor to the park. A smallish fellow had come walking on the very same path we were exploring, had struck up a conversation with this gardener. They'd talked about how the fellow was staying uptown near the Consol Center, and eventually the visitor's identity became clear: Kenny G. Yep, the Kenny G. He was strolling anonymously through the park before his big concert performance. How cool is that? Our new friend shared how friendly and unassuming Kenny had been, how'd he'd laughed at the suggestion that he should be exploring the fair city with an entourage.
Even Kenny G likes Point State Park, and wanders through the shady greenery while gazing out at the massive waters that flow past.
If you can make your way around that vast fountain, and observe children giggling in the spray, and watch lovers adoring each other as they whisper sweet nothings in the clamor of the tumbling waters... If you can hear the tugboats alert each other as they pass, and trains send their high-pitched whistle skyward—if you can take all that in without smiling, then you're a rare human being... and quite possibly a joyless one.
Showing posts with label downtown. Show all posts
Showing posts with label downtown. Show all posts
Monday, May 19, 2014
Thursday, June 30, 2011
A different kind of painting
Our recent adventures have taken us into and around the city of Pittsburgh, and the boy and I have rediscovered some of our favorite fountains.
One sits in the outdoor courtyard that lies between the Carnegie Museums of Art and of Natural History. The terraced space has small trees, lots of tables and chairs, and a crashing, thunderous wall of water on one side. Gallon after gallon falls from the top of the wall into a long, shallow pool. Because of the force of water impacting water, this one is quite splashy; to stand near it is to ensure wet feet and face. Aaah.
Another great fountain lies next to the BNY Mellon Building (this used to be called One Mellon Center), on the side next to the USX Tower. There's a lovely little park there, with several bench-laden walkways both sunny and shaded to accommodate foot traffic. The fountain sits in a bright, open area; it looks simple enough, a circular ground-level design with large steps that mimic the slight hill upon which it sits. Standing off-center inside the circle are four tall obelisks, notched on top, and water pours from each and intersects with other waters on the way down. It is deceptively uncomplicated, but intricate and painstakingly planned upon closer inspection. The off-center forms, the notches to facilitate water breakage, the placement in full sun, all make it a hugely successful design. During lunch hour, you'll be lucky to find a bench near this beauty, so I must not be the only one who admires it.
But the crowing glory, my friends? The show-stopper? That would be the fountain at PPG Plaza.
This one, too, might not grab your attention at first. It's a bunch of jets set right into sidewalk level on the large plaza floor. If you happen upon it when the jets are on low power, it will look like a series of baby fountains spurting from the concrete, surrounding a stumpy Washington monument-wannabe. But oh, when it's in full power, the scene is quite different. The jets are amazingly strong, and those cute little waterfalls suddenly grow until they tower over your head, reaching heights up to 15 or more feet. The monument in the center of the jets is a safe haven, misty and dreamy but somewhat protected from direct sprays.
What makes this one most special is that it's interactive, and the actors are children. Any visiting kid, of any age, size, or color, can walk and run right through the whole sopping scene. The constant accompaniment to the splashing, arching, spraying waters is the unrestrained screams and giggles of every dripping child there. It is the perfect summer symphony, a glorious cacophony of delight and joy. Conversation close to the fountain is absolutely drowned, and no one minds. Shouts mingle with the sounds of small, slapping feet, and the water rises, rises, rises as do the shrieks of glee. Rainbows dance everywhere, the shiny black glass of the surrounding towers gleams in a wavy sea of reflections, and it is impossible not to grin like a fool in the midst of it all.
Have you taken any time lately to really appreciate the miracle of water? Its existence, its necessity for sustenance, its power to heal and amaze? Yes, I know, it can flood, too–it can cause damage and death and destruction. It deserves our respect. But I just want to think about the good things it does right now.
One sits in the outdoor courtyard that lies between the Carnegie Museums of Art and of Natural History. The terraced space has small trees, lots of tables and chairs, and a crashing, thunderous wall of water on one side. Gallon after gallon falls from the top of the wall into a long, shallow pool. Because of the force of water impacting water, this one is quite splashy; to stand near it is to ensure wet feet and face. Aaah.
Another great fountain lies next to the BNY Mellon Building (this used to be called One Mellon Center), on the side next to the USX Tower. There's a lovely little park there, with several bench-laden walkways both sunny and shaded to accommodate foot traffic. The fountain sits in a bright, open area; it looks simple enough, a circular ground-level design with large steps that mimic the slight hill upon which it sits. Standing off-center inside the circle are four tall obelisks, notched on top, and water pours from each and intersects with other waters on the way down. It is deceptively uncomplicated, but intricate and painstakingly planned upon closer inspection. The off-center forms, the notches to facilitate water breakage, the placement in full sun, all make it a hugely successful design. During lunch hour, you'll be lucky to find a bench near this beauty, so I must not be the only one who admires it.
But the crowing glory, my friends? The show-stopper? That would be the fountain at PPG Plaza.
This one, too, might not grab your attention at first. It's a bunch of jets set right into sidewalk level on the large plaza floor. If you happen upon it when the jets are on low power, it will look like a series of baby fountains spurting from the concrete, surrounding a stumpy Washington monument-wannabe. But oh, when it's in full power, the scene is quite different. The jets are amazingly strong, and those cute little waterfalls suddenly grow until they tower over your head, reaching heights up to 15 or more feet. The monument in the center of the jets is a safe haven, misty and dreamy but somewhat protected from direct sprays.
What makes this one most special is that it's interactive, and the actors are children. Any visiting kid, of any age, size, or color, can walk and run right through the whole sopping scene. The constant accompaniment to the splashing, arching, spraying waters is the unrestrained screams and giggles of every dripping child there. It is the perfect summer symphony, a glorious cacophony of delight and joy. Conversation close to the fountain is absolutely drowned, and no one minds. Shouts mingle with the sounds of small, slapping feet, and the water rises, rises, rises as do the shrieks of glee. Rainbows dance everywhere, the shiny black glass of the surrounding towers gleams in a wavy sea of reflections, and it is impossible not to grin like a fool in the midst of it all.
Have you taken any time lately to really appreciate the miracle of water? Its existence, its necessity for sustenance, its power to heal and amaze? Yes, I know, it can flood, too–it can cause damage and death and destruction. It deserves our respect. But I just want to think about the good things it does right now.
Saturday, November 13, 2010
Who was that girl?
My somewhat recent forays into downtown reminded me of the first summer I worked there, so many years ago. I've been telling my son about that experience. My stories amuse him—and honestly, they amuse me, too.
I was such a young, small-town girl that summer. Coming from a safe, protected little college where the tallest building was an 8-floor dorm, the 'Burgh was incredibly "city" to me. I temped my way through a few warm, blissful months, living with an older sister, finding my hesitant and clueless path one day at a time.
Riding the trolley was worrisome; would I get on the right one? Could I get on a wrong one? How safe was this thing? What if I ended up heading the opposite direction? Thankfully, the system was pretty fail-safe even for a greenhorn like me. I can recall the first time I saw the underground platforms, how amazed I was. Coming up from those stations, sounds of traffic mingling with piped-in classical music, I had never felt like such a sophisticate.
The first time I temped at the Steel Building, I emerged from the largest subway plaza, confused, turned around... I asked a fellow passing by where I might find my destination, and the kind man stifled a chuckle as he informed me I was standing directly in front of it.
Arriving at the right floor in those days was a whole new challenge. Security was loose pre-September 11, but getting oneself to the proper bank of elevators provided a whole new obstacle. If a person has never been in a building more than 10 stories high, then how is that person to know that there are different sets of elevators to serve different groupings of floors? I distinctly recall having to ask someone about that system, too; thankfully, Pittsburgh is full of humble workers who clearly recall their own bewilderment when first faced with similar situations.
Eating alone was awkward as well; I'd managed to avoid that scenario as much as possible in the college cafeteria. I knew no one downtown, and as a temp I didn't stay in any office long enough to meet anyone; yet, I was so desperate to break away from whatever desk I was occupying that I made myself head out to little shops or parks or courtyard benches at mid-day to take in some nourishment. I was shamelessly self-conscious then (silly me, still thinking that everyone was watching my show). I became more accustomed to the solitude as the summer passed, began to frequent the bagel and sandwich stores that offered free newspapers, learned to stow a paperback in my purse at all times, because God forbid I sit at that table and look at my food or other diners or out the window!
Somewhere along the way, in the past 20 years, I've become more comfortable with myself; I've been liberated by the knowledge that, all along, no one was noticing. I've also been denied free time for large chunks of my adult life—which has helped me to realize now what a blessing an unscheduled lunch block really is. I've learned my way around our little city, and have even managed to maneuver myself through some larger cities as well.
I'm not the girl I was. Most days, I wouldn't want to be. But that girl? She had bright eyes, and a smile on her lips, and she carried sincerity and frivolity side by side in her heart. I wish, sometimes, I could keep my liberated old self while still maintaining that girl's energy and expectation. Is that possible?
I was such a young, small-town girl that summer. Coming from a safe, protected little college where the tallest building was an 8-floor dorm, the 'Burgh was incredibly "city" to me. I temped my way through a few warm, blissful months, living with an older sister, finding my hesitant and clueless path one day at a time.
Riding the trolley was worrisome; would I get on the right one? Could I get on a wrong one? How safe was this thing? What if I ended up heading the opposite direction? Thankfully, the system was pretty fail-safe even for a greenhorn like me. I can recall the first time I saw the underground platforms, how amazed I was. Coming up from those stations, sounds of traffic mingling with piped-in classical music, I had never felt like such a sophisticate.
The first time I temped at the Steel Building, I emerged from the largest subway plaza, confused, turned around... I asked a fellow passing by where I might find my destination, and the kind man stifled a chuckle as he informed me I was standing directly in front of it.
Arriving at the right floor in those days was a whole new challenge. Security was loose pre-September 11, but getting oneself to the proper bank of elevators provided a whole new obstacle. If a person has never been in a building more than 10 stories high, then how is that person to know that there are different sets of elevators to serve different groupings of floors? I distinctly recall having to ask someone about that system, too; thankfully, Pittsburgh is full of humble workers who clearly recall their own bewilderment when first faced with similar situations.
Eating alone was awkward as well; I'd managed to avoid that scenario as much as possible in the college cafeteria. I knew no one downtown, and as a temp I didn't stay in any office long enough to meet anyone; yet, I was so desperate to break away from whatever desk I was occupying that I made myself head out to little shops or parks or courtyard benches at mid-day to take in some nourishment. I was shamelessly self-conscious then (silly me, still thinking that everyone was watching my show). I became more accustomed to the solitude as the summer passed, began to frequent the bagel and sandwich stores that offered free newspapers, learned to stow a paperback in my purse at all times, because God forbid I sit at that table and look at my food or other diners or out the window!
Somewhere along the way, in the past 20 years, I've become more comfortable with myself; I've been liberated by the knowledge that, all along, no one was noticing. I've also been denied free time for large chunks of my adult life—which has helped me to realize now what a blessing an unscheduled lunch block really is. I've learned my way around our little city, and have even managed to maneuver myself through some larger cities as well.
I'm not the girl I was. Most days, I wouldn't want to be. But that girl? She had bright eyes, and a smile on her lips, and she carried sincerity and frivolity side by side in her heart. I wish, sometimes, I could keep my liberated old self while still maintaining that girl's energy and expectation. Is that possible?
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