Stay warm. Unless you're reading this from a balmy, sunny place. If that's the case, then please send my plane ticket—pronto.
Last summer, we spent an extended weekend in Cape May, NJ. I love that place. (I wrote about that visit here, and I even featured the same seagull that's shown above, but in photographic format instead of acrylics; just scroll down if you do click on that link, because the gull photo's at the bottom.)

Here's the latest painting: a hoppity little fellow. Easter's approach always connotes the images of bunnies for me, probably for most of us. After wondering about the origins of the tradition, I read somewhere that Easter's pagan beginnings had a sharp focus on fertility. Heck, what's a better example of that than rabbits? Hence the "Easter Bunny." Weird. The savior of the world was raised from the dead, and we hide eggs (more fertility symbols) and give credit to a long-eared, madly breeding furball.
The last two commissions I've painted have been dogs, beloved pets. (I forgot to post this one—it's been with its proper owner for a week or two now.) Shown here is my interpretation of a much-loved, now deceased collie named Petey. 

